Coke always marks two things for me: the dawn of the summer festival season and time I’ve started comming to Kraków more often. This year it was also a beggining of an almost 2,5 week trip with three festivals, some vacation time and lots of drawing (thanks to Ulson, who made me come back to drawing..again!). And almost every time I come to Coke there’s always something wrong – in the previous years it has been my camera, my almost-broken knee. This year it was the uncertian weather, which affected the Pukkelpop and me limping (kids, never try to go into a moshpit after the doctor advised you not to do so – but the Deftones gig was AWESOME!). However, it was the most awesome Coke ever – lot’s of friends and workmates, great gigs (Editors blew me away..) and the weather turned out to be more awesome then Barney Stinson will ever be.

Coke was the first time I’ve managed to test out my new lens Nikkor 80-200, which worked just great (Of course, it’s not the Nikkor 70-200 mm F2.8 VR II, so it has some flawns). Pretty different focal length from what I was used to (50-150). So after completing some new lenses, lamps and acessories there was only one target left – a full-frame body. And because my D300 was not in such a great condition and I was tired of waiting for Nikon’s new model to be announced in the late October I purchased a D700. But that’s another story. If I ever win the lottery. I’m going straight to the store to buy a 14-24 2.8, 24-70 28 and a whole bunch of primes…

The publication got the colored ones but I played more with the pics and did the no-so-festival-like black and white style I usually use for hardcore and small club show. The rest of Coke Live is too colorfull to be published in BW – just the gigs from the small stage + Interpol, because their light sucked even more then those in Barcelona. However, I’m pretty happy with the shots and the post-production. Never seen such pics of Olivia Anna Livki or Parias done in that way!
Fans of You And Me At Six or The Kooks be patient. Those will be coming in shortly!

Didn’t have time to upload stuff from the summer but I’m still trying . “Pitty” more and more photos come in:)

…or in short: the best things I saw in 2009. Lot’s of text, links to photos so be prepared! However, if you’re looking for reviews filled with professional comments, enlisting the best chords the guitarist played that day, naming all the genres the band has stepped into during the certain gig – don’t waste your time. This list is just about the sole love for live music. And all the photos and feeling that come with it.

- Faith No More during Heineken Open’er – The gig topped many “the-best-of-gigs” list this year. No wonder, because it was as awesome as this guy’s bootlegs.

- SUNN O))) during Unsound Festival – For the whole show I was wondering if the police were going to arrest every listener for participating in a pagan ritual. But apart from that, it was a performance (I still cannot label this event as a typical gig) that has been stuck with me from the moment the drones went quiet. What’s more, I can’t listen to SUNN O))) anymore as the recordings are nothing, compared to what happened in Kraków.

- Gaba Kulka in Ucho – It was the first of the 5 Gaba shows I’ve seen this year. It was the most intimate, with a great setlist. And the bootlegs from Gaba’s gigs became the soundtracks to many of my train voyages.

- The Ocean in Progresja – This was the second time I saw them. This was the second time my jaw dropped instantly. Without seeing them live in 2008, I don’t think I would get into sludge, doom or post-metal stuff at all.

- Chris Cunningham during Sacrum Profanum Festival – More of a performance but with all my love for Cunningham work and all he did in Kraków it could as well be put on the list. And, to my surprise, way better than Aphex Twin a week later.

- Karl Bartos during Free Form Festival – I missed Kraftwerk last year and it is still one of the things I can’t forgive myself. Karl Bartos concert was a little substitute for that, with all the great Kraftwerk songs and his solo stuff.

- Video Games Live in Torwar – Metal Gear Solid was released in 1998. It took me 11 years to finally listen to one of the greatest video game themes of all time live. But what happened in the end totally blew me away. Definitely a memorable event with very few people at the audience. Shame.

- Big Sexy Noise feat. Lydia Lunch during Globaltica Festival – who said you won’t create the atmosphere of a dim and crowded New York club in a beautiful forest clearing? In addition to this you can say “Fuck you” to Lou Reed.

- Mademoiselle Karen in Alchemia – It was a very special concert. It was a very special day. The songs were simple and beautiful. This may sound really cheesy, but it was like this, it was all about beauty and simplicity.

- The Dillinger Escape Plan during Knock Out Festival – Just one sentence – one day I want to shoot a DEP concert the way a DEP concert should be shot. The energy they have could easily be split and given to 20 other bands and still there would be some left!

- HEALTH during Off Festival – Hypnosis, energy, experimental and one of my favourite photos from the year 2009. And their single “Die Slow” is one of my three favourite singles from 2009.

- Leningrad in Stodoła – Rocked totally, just as they did a year before in Gdynia. For starters – it’s more vulgar and straightforward version of Gogol Bordello. More swearing, more sexy women and much more Russian language used on the stage. And less Madonna involved in the promotion of the band;)

- Fucked Up during Off Festival (plus their solo gig in Kraków) – because there is no such things as boundaries in the world of punk and hardcore. Because you can hug a bear-like man, shout to the mic he’s holding and feel like you’re best mates ever.

- Samael in Klub Studio – I’m not a big fan of their studio work, but supporting Paradise Lost, they proved who the real headliner was and how metal should sound.

- Tides From Nebula in Ucho – Post-rock at it’s best.

- Burst in Progresja – yes, you can mix alternative rock, sludge, metal, melodic vocals (minus the annoying part), metalcore, progressive hardcore and all the other weird sub-genes that music journalists think about all day. And you get such a beauty.

- The Kilimanjaro Darkjazz Ensemble in Rotunda – like watching a movie with a disturbing soundtrack.

- Orbital during Selector Festival – sometimes you wait for years to hear this one particular song. Finally you have the chance, and realise that the rest of the set is also brilliant.

- Monotinx during Off Festival – I don’t think I have to add something else

- Daniel Lanois during rehearsal on Soundedit Festival – Liked the concert, loved the rehearsal. Both were really similar but the concert just lacked the magic the small rehearsal studio had.

- Gogol Bordello in Rotunda – Energy, energy, energy, gypsy punk, energy, energy and even more gypsy punk.

Other notable mentions include: Skinny Patrini in Hydrozagadka (I was finally convinced that that made a long way from “a-funny-thing-to-see” to a demonic and sexy electro duo), Orange Goblin during Globaltica Festival (stoner rock vs “the-people-who-came-here-to-listen-to-calm-sounds“), Maciej Maleńczuk in Stodoła, James during Coke Live Festival (“Sometimes, when I look deep in your eyes, I swear I can see your soul”), Pustki during Fryderyki (played a brilliant set to one of the most boring audiences I’ve ever seen), Fever Ray during Nowa Muzyka (I really don’t the like album but cannot resist the magic of “When I Grow Up” – hearing it live was just one of the most spiritual things in the 2009), Blindead in Ucho, Jason Webley during Globaltica Festival, Franz Ferdinand during Selector Festival, Birdy Nam Nam during Free Form Festival, The National during Off Festival (“You get mistaken for strangers by your own friends, when you pass them at night under the silvery, silvery citibank lights”), Wire during Off Festival, Pivot in Alchemia, Behemoth in Stodoła (if Satan was on Earth he’d buy a ticket for that gig!), Vive La Fete during Free Form Festival, Wreckless Eric & Amy Rigby in Jazz Club Hipnoza.

And last, but not least – M83 during Heineken Open’er 2009 in Gdynia. The gig of the year. I wrote about it here but have to say it again: it may be the naive, youthful and pop tender beats that were born in Anthony Gonzalez‘s head, but at the same time all these elements are very frank. Since the 4th of July, “Sitting” and “Couleurs” have never sounded the same. And I just love the title of their 2008 album – “Saturdays = Youth”. It’s just so much more than meets the eye…

How could something like this top Faith No More or SUNN O))) you ask? I still don’t know…

New year will bring many, many changes and there are more and more plans being made. The only thing I can say right now is a quote from Current 93‘s album: “I Have a Special Plan For This World“.

I’m also happy that wherever I go I meet so many wonderful people who just love music. Hope 2010 will be a special year for you all.

Cheers from the M83‘s pit!

photo by Ania Margoszczyn

Really, concerts this year – brilliant! Got a total blast from James, NAS and Lupe Fiasco. James was a pretty nice suprise to the line-up, but the band managed to play a great performance! The same goes for Lupe Fiasco and NAS – two great hip-hop artists. Lupe came with his DJ and a drummer, while NAS put a great show with a live band (plus – a DJ of course;). Hell of a show!

The Killers -a big dissapointment for me. I loved the first record, I really did. But the rest…well. A copy of a copy of a copy from the first LP. The songs sound flat and they do not posess the magic, the ones from “Hot Fuss” did. What’s worse, I got the idea that the band is aware of this: almost all pieces from the last part of the concert came from the debut… And the “no-photo” policy plus the lack of small (but always nice!) things like comming from the stage info the audience. Come on! James started playing FROM the crowd and often the singer would get off the stage and interacted with the audience. Personally, I love those kinds of things!

While the line-up consisted mostly of hip-hop and reagge, it didn’t bother me that much. From politically-involved to pure fun – all faces of those genres were shown. I just hope that next year, more electronic and pop will be present. But inviting The Roots, Beastie Boys or Kanye West wouldn’t hurt a bit!

(Excuse me the absence of The Killers photos, but they did not allow photographers to enter the pit. Their photos were provided by their private photographer, and Brandon’s brother-in-law, Torey Mundkowsky. Well, the guys always seemed to be a “big” friend of all the photographers ..)

And if you are interested in buying any of the photos for a publication, please contact us. More photos can be seen on Wp.pl.